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Shadow on Concrete Wall

The right brain method for actors in film encourages a deep connection with their creative instincts and emotional intelligence. It emphasizes the exploration of characters from within, allowing actors to tap into their intuition and embrace vulnerability to deliver powerful and authentic performances. This approach recognizes that acting goes beyond memorizing lines and hitting marks, but rather requires a profound understanding of human behavior and the ability to convey complex emotions convincingly.                                     

We artists are not so good at business sometimes.  We actors want to act.  Someone we don't even know says, "I'm making an 'indie' film.  Come be in my movie!"  We jump at the chance to do what we love.  We say, "Copy, meals, and credit?  I'm in!" 

 

I'm talking about non-SAG/AFTRA actors who study and train regularly, just waiting for an opportunity that may lead to something big in the long run.  They are thinking that this could be that 'Blair Witch Project' that was made for a dime, and then went on to make millions, providing its actors with careers they always dreamed of.  The truth is, you are more liable to find yourself hooked into a project that is a one-way trip to hell.  The director doesn't know what he's doing, a wackadoo writer is bullying everybody, the lead actor is so bad you can't stand to watch him/her do a scene, the 'Hair & Make-up' lady flunked out of beauty school 17 years ago, the lunch is what is left over from the D.P's mother's potluck party from last night, the wardrobe was whatever you brought so the A.D./Location Manager could 'okay' it, the freshman film student from the community college is directing every scene because the director can't get his head out of his ass, and you're standing out on the beach while they set up a scene where you have one line, and have been standing there for two hours because there are no trailers.  It's Guerilla Filmmaking folks!!  Yeehaw!

 

If you are a really good actor, and you need a mentor and manager with industry knowledge and a good grasp of reality, allow me to be the voice of reason in your decision-making process.  You need someone who is experienced in the ways of this business.  You need someone who is not afraid to say, "Those people are bottom-feeders, stay away from them," or "I will hook you up with this filmmaker who is doing some beautiful work, and getting a lot of attention right now...and by the way...your pictures suck...here are some good photographers that do really nice headshots." 

 

I could go on and on about the advice I am constantly giving actors who are doing the best they can to understand this fabulous business.  Also, just so you know, you will never get your copy, the movie will never be accepted into 'the film festival circuit' because it will never be completely finished, and therefore, you will not get a credit. Or...you might get a credit you would never want anybody to see for the rest of your life.

 

Contact me if you feel you could use some help bringing your perception of yourself in this business to a more professional presentation.  Remember, where they are making a big movie or television series, they are doing it the way it's always done.  The production team and 'Above-The-LIne' people are looking for a certain kind of player.  If you are not up to that...they will bring in an actor from New York or LA.  They are NOT going to give concessions because they are in a place where non-union and untrained actors think they are ready for prime time.

 

I spent over 25 years casting actors in major motion pictures.  I have a lot to tell you and teach you about this crazy business.  But, I also mean to inspire you to love your art, without being taken for a ride.  If you are ready, I will be your muse.

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